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From warehouse conversions to rehabbed midcentury gems, to expert advice and budget breakdowns, the renovation newsletter serves up the inspiration you need to tackle your next project. "There is an innate required intimacy to the house that you usually find in European or Latin American homes," says Aidlin. "It was wonderful to address the three-generation urban home as a design problem, where every square inch of the house is necessarily utilitarian." Other homes in the area include a house by Albert Frey, which was restored by its owner to match Frey's initial design from the 1950s, and a home by Turkel Design's founders that echoes the area's popular midcentury style. Nearby Palm Springs is famed as the epicentre of California desert living.
High Desert Retreat by Aidlin Darling Design
The blackened wood siding is pine wood that is acetylated, burnt, wire-brushed, stained, and sealed. All of these treatments are intended to provide a highly textured finish that is both bug and rot-resistant and minimizes movement within a climate known for its large diurnal temperature swings. The interior is a collage of concrete, wood, stone, and steel, each responding to its immediate application to maximize durability while providing the home with warmth and a soulful nesting quality.
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Aidlin Darling: 2023 Interior Design Hall of Fame Inductees - Interior Design
Aidlin Darling: 2023 Interior Design Hall of Fame Inductees.
Posted: Thu, 07 Dec 2023 08:00:00 GMT [source]
His team worked closely with the city planning department to craft a modern home whose ordering principles come directly from the scale of neighboring homes. “Our strategy was to design this concrete mass but complement it with a tremendous amount of glazing, and layering on top a two-story brise soleil,” says Josh. That delicate red cedar screen was the gesture that solved multiple problems. A counterpoint to the monolithic concrete walls, its horizontal slatted panels abstract the window proportions of neighboring homes. They filter light and views, while connecting the occupants to the sight of two large street trees.
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On the climatic side, it hovers over the home providing respite from the beating sun both in its opaque form and as a porous wooden lattice. A singular aperture is carved out of the roof plane, framing the dramatic sky above while providing the pool area with ample sun exposure. The home would perform as a simple framing device for the occupant to observe the dynamic surrounding terrain. The structure would be exceedingly quiet and crisp in its geometry, intentionally contrasting the organic forms of the desert and low to the ground to minimize its presence. Blackened wooden boards form the exterior walls of the enclosed volumes.
Montalba Architects, Inc.
He died in 2012, well before Aidlin Darling Design had been selected as architect. However, his son Joe Oliveira thinks he would have been “overjoyed” by the result. “I know he would have loved the soft quality of the lighting and the calmness of the building,” he says. Below the roof plane is seven rectilinear volumes that contain the home’s program.
In contrast, the rear façade is four stories of glass that provide panoramic views of the Golden Gate Bridge, Alcatraz Island, and the Palace of Fine Arts. The dialogue between earth and sky is reinforced through the home’s material palette of concrete, wood, glass, steel, and diffused light. The home’s once dark interior is completely transformed using restrained materials that reflect, refract, and sculpt light as it is captured. The juxtaposition of heavy and light is carried through to the smallest details.
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The second floor of the home contains public spaces for the family to come together, including the kitchen, dining, and living rooms as well as two built-in study nooks. The living room, which features a fireplace as the focal point, overlooks the front garden, while the kitchen and dining room overlook the rear garden. In the hillside neighborhood of Castro Heights in San Francisco, a nondescript, midcentury terrace home has been transformed by Aidlin Darling Design into a three-story, multi-generational oasis crowned with a wild roof garden. "The existing home was dwarfed by its neighboring houses," says architect Joshua Aidlin, cofounder of Aidlin Darling Design. "The final massing of the home thoughtfully fills in what had been the ‘missing tooth’ among the existing row of homes on the street."
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In addition to the covered exterior spaces, the home also has concrete walls that form courtyards around the Pinyon trees. From the street, it appears as a modest, opaque box, clad in vertical strips of cedar (a “non-facade,” as Aidlin describes it). The front door is set as far away from the road as possible, so visitors travel along a path that runs nearly the full length of the building. This extended entry sequence was inspired by Chinese temples, where a progression of garden walls helps the mind transition from the bustle of the world. The third floor is the master suite, which provides the couple a space to escape the high activity of the children when needed, but also a welcome respite for the kids to play with their parents in the extended master bedroom. This floor also features a hidden work desk and a fireplace with a remarkable view over downtown San Francisco.
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The dark pine planks contrast the pale wood finishes that cover the ceiling, both inside and out. The deep brise soleil shades the interior as well and offers privacy from neighboring buildings without compromising the views. The stair is quite porous, directly connecting the dining room, the study, and the master suite when desired. One of the study nooks on the second floor—adjacent to the kitchen and dining area—looks through the stair toward the front garden. Both the boys' bedroom and family room spill out into the ground floor garden, providing the children with an expanded play area outside of the house. Weekly updates on the latest design and architecture vacancies advertised on Dezeen Jobs.
To build the composition, hundreds of oak-clad units are assembled in vertical layers—storage boxes on the bottom, hands-on areas in the middle, displays at the top, and a cantilevering cornice at the tippy-top. One side of the wall is devoted to product placement, the other to feel-good marketing. There is now continuous, stepped landscaping from one home to the next as the buildings and street rise up the hillside. News from Dezeen Events Guide, a listings guide covering the leading design-related events taking place around the world. At the back of the home, overlooking the site's steep slope, a swimming pool runs nearly the whole width of the house. The architects describe this intermediate area as a "place to break bread, and capture both sunrise and sunset as well as breezes rising up the hillside and through the house".
By carefully designing the new spaces, more than 75% of the building’s original fabric has been maintained. Significant structural upgrades were undertaken to ensure proper seismic performance of the existing timber frame – an investment on par with new construction. Clearly registering the rhythm of the historic post-and-beam structure, the original fenestration of the building’s north façade was preserved and refurbished. The existing timber and concrete frame was carefully sandblasted to reveal the warmth and texture of the original materials. As day turns to evening, the perforations in the building’s new skin gradually reveal the historic character of the timber frame within. Oliveira was pleased by the final determination, a former parking lot bordered by a grove of old oak trees, adjacent to student housing.
This connection with nature is also found on the ground floor, where the boys’ bedroom and the playroom open out onto the garden. On the second floor, the connection is much more dramatic, with a 10-foot-long steel bridge extending out into the rear yard hillside, providing access to the garden below. The clients were also interested in incorporating sustainable architectural strategies where it made sense. The brise soleil controls light and heat gain, deep overhangs offer passive solar control, and cross-ventilation is enabled by the narrow footprint and operable windows and doors.
This layout offers the opportunity for the grandparents and grandchildren to bond. Full-height glass panels at either end of the kitchen and living rooms also slide open to provide access to the pool. Because of the area's dry climate and predictable weather, the home is made up of a series of separate wooden volumes clustered under a large, overhanging roof. The three-bedroom family home is located on a rocky plateau in the arid landscape, with views of the Coachella Valley and San Jacinto Mountain Range.
The perforated outer skin mitigates solar heat gain while enabling cross-ventilation of the interior. This rudimentary double-skin façade becomes a screen for sunlight and air, allowing the stoic, industrial character of the original building to be maintained without the visual introduction of new fenestration. The existing trees inform a spatial arrangement of framed views, outdoor rooms, and screening for privacy. A series of interlocking vertical and horizontal volumes help to obscure the demarcation of inside and outside. Concrete floors, wood ceilings, and reflection from glass participate in a virtual fusion between the home's interior and its landscape. A zinc metal canopy mediates the home's relationship to its surroundings and serves to edit unwanted views of neighboring properties and affords mutual privacy.
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